Tuesday, 24 March 2015

[S869.Ebook] Download Ebook Adobe Photoshop Lightroom CC/6 - The Missing FAQ - Real Answers to Real Questions Asked

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Bonus! Register your paperback book with the author (details inside the book - paperback only) to get complimentary Premium Membership to the Lightroom Queen website. This gives you access to all the eBook formats of this book at no extra cost and email support from Victoria herself.

Adobe Lightroom CC/6 - The Missing FAQ is primarily designed as a 600+ page�conversational FAQ-style reference book, giving you the detailed information you need to make informed choices, whether you've been using Lightroom for a few months or a few years. No more pressing buttons without understanding the repercussions!�
The book covers both Lightroom CC (the subscription version) and Lightroom 6 (the perpetual license).

Unlike most other Lightroom books, this isn't just the theory of how Lightroom's supposed to work, but also the workarounds and solutions for the times when it doesn't behave the way you'd expect.

For less experienced users, the Fast Track weaves its way through the book, with short tutorials that guide you through a simple workflow, allowing you to gain confidence before diving into the more advanced questions. To get a taste of Victoria's writing style, download the free Quick Start eBook from the Lightroom Queen website.

For many years, the Adobe Lightroom - The Missing FAQ books have been among the most popular Lightroom books available. The LR CC/6 version is a major rewrite that's taken 2 years to complete, and it's the best yet. The information is now easier for less experienced users to understand, and easier to find using the comprehensive new index. If you've read previous versions, don't worry, all of the advanced information is still there and has been expanded too. The paperback's even more readable having been produced in color print for the first time (it's a thick matte paper, so it's much better than the previous B&W print).

  • Sales Rank: #126134 in Books
  • Published on: 2015-05-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x 1.65" w x 7.44" l, 3.18 pounds
  • Binding: Paperback
  • 608 pages

About the Author
Hi, my name's Victoria Bampton, and I'm the author of the 'Adobe Lightroom- The Missing FAQ' series of books. I'm an Adobe Community Professional and Certified Expert, but more importantly, I'm a real user, just like you. You probably recognize my name from one of the many Lightroom or other photographic forums I frequent. I love spending time helping Lightroom users get the best out of the software!

That's where this book started - certain questions come up repeatedly on the forums, and none of the available books seem to answer them - or if they do, you have to read the entire book to find the answer.

I wanted to be able to recommend an easy reference book - one that you can pick up and skip straight to the answer you're looking for - but there wasn't one. Instead, I sat down and compiled a list of questions directly from the forums, and wrote jargon-free answers as if I was answering a user on the forums. This is the information you actually want to know, in an easy reference format. It's as simple as that!

Most helpful customer reviews

8 of 8 people found the following review helpful.
Aperture user moving to LR6, using printed edition
By Jubilee'sMom
After 5 years as an Aperture user, I finally had the motivation to leave after deciding that Apple's decision to no longer support it increased the likelihood that I'd one day encounter big problems with my entire photo library. Still, I was very nervous about moving to Lightroom 6 and learning entirely new software.

At first glance, Victoria Bampton's book is a bit intimidating, coming in at nearly 600 total pages. My first concern was moving my entire managed Aperture library to LR6, and I was at first frustrated finding that the bound volume did NOT contain instructions for doing so. A note on one of the "Import" chapter pages referred me to Appendix page A-28 for more information, but the appendices are NOT included in the printed copy; they are, however, available for download off of Victoria's website. So my first advice for Aperture users in a similar situation is to follow instructions to register the book with Victoria, take some time to explore the Members Area to see what's available there, and then carefully follow the Appendix C instructions for moving your Aperture library.

For a LR rookie like myself, the "Fast Track" feature was an absolute necessity to learn the basics of importing, organizing, and developing (editing) photos without getting lost in the detail. Clearly marked arrows directed me to the essential, basic instructions for each topic, leaving more complex details for later study. The text material was clearly written. Some pages had to be read very carefully because of the amount of text, examples, and highlighted "tip" boxes included.

My method for covering a topic -- for example, learning the Basic Development panel -- was to read a short section then use some of my own photos to practice the steps that I just covered. (There was no shortage of photos to use, because as Bampton and many other writers have cautioned, Aperture adjustments/edits do NOT carry over into LR6.)

I supplemented selected topics with free videos from unrelated LR experts, usually Julianne Kost's videos. Brampton's book can easily stand on it's own for teaching LR6, but for me using both a text and videos is best for learning this type of material. Sometimes I read first, followed by a video on the subject, and sometimes I reversed the order. When I purchased Bampton's book, I also purchased Tony Northrup's "Adobe Lightroom6/CC" video book. I began using both sources, but quickly found that Bampton's book was much easier from which to learn. Most of Northrup's videos were made with earlier versions of LR and NOT at the same time as the 2015 edition of his book; accordingly, I often had difficulty finding the video segments that corresponded to a chapter's material that I was reading. Also, some topics/tips I thought were significant were either skipped or covered only superficially in the Northrup text and videos. Though I will keep Northrup's book around to review material on specific topics, my go-to source for learning more about LR6 will continue to be Bampton's book.

Had I not had to jump through so many hoops (see 2nd paragraph above) to find the instructions for moving my Aperture library into LR6, which for me was nerve-wracking just thinking about it, I would have rated this a 5-star book.

11 of 12 people found the following review helpful.
My Absolute FAVORITE Lightroom CC/6 Book and Reference Manual
By Don Hood
A little Background is in order to begin; I've been involved in Photography to a greater or lesser degree on and off for a bit more than 50 years.
I've done extensive work in film formats from sub-35mm to 8x10 sheet film, and the largest color print I have made was 18 x 38 FEET, when a Custom Lab I worked as Technical Director for created 225 of them for interior Billboards for a corporate client.
Now Retired from the IT Industry, I am back pursuing one of my lifelong passions, Photography, now in the Digital World.

Everybody has their own particular approach to learning and reference, and Victoria Bampton has accomplished what I find to be probably the best approach for a combination Learning/Reference Tool for Lightroom CC/6 that I can imagine.
I have to admit that I have two of her previous Lightroom FAQ books, for Lightroom 4 and 5, and found them to consistently be the most CONTINUALLY useful Photographic Software Books I have used.
Some Photographic books are written to convey concepts and techniques and that is the end of it. Victoria's LR FAQ books, and PARTICULARLY this newest LR CC/6 edition, there is BOTH a "New User" thread directed throughout the book but also EXTENSIVE ongoing/reference resource value on a Day-to-Day basis.
As if that wasn't enough, when you buy the book the EBOOK versions are a FREE addition, as well as the HUGE additional benefit of Her Website and Helpdesk resource that is only available to buyers/subscribers.
Bottom Line: BEST Photographic Book AND Electronic Resource that I have for Lightroom, bar none.
Since Lightroom has become at the least one of THE De Facto Primary RAW Management tools in Digital Photography, it only makes sense to have the best Reference Manual you can find to assist you with learning and using it.
Victoria's Book, Ebook, and Website ARE that for me, and arguably for a good many other people.
It is DEFINITELY worth checking out if you use OR are considering using Adobe Lightroom.

11 of 12 people found the following review helpful.
A must have book!
By Darryl C.
This is a must have book for Lightroom users at all levels. Victoria's unique style is part of what makes this work so great. She covers every area of Lightroom in a "Question and Answer" format...questions that come not only from her own usage of Lightroom, but from her customers and colleagues alike. Have a question? Look it up and find the answer. But the real bonus is that she doesn't simply answer the question, she provides the how, when and why behind the question. I wish this had been my first book on Lightroom. I could have purchased her entire library instead. Great job Victoria! I will definitely be a repeat customer in the future.

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Tuesday, 17 March 2015

[B564.Ebook] Free Ebook Identity: Community, Culture and Difference, by Jonathan Rutherford

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Identity: Community, Culture and Difference, by Jonathan Rutherford

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Identity: Community, Culture and Difference, by Jonathan Rutherford

This collection of essays addresses the issues and concerns raised by the emphasis on society not as a series of homogeneous interlocking blocks, but as a plethora of different, sometimes overlapping and often conflicting communities. Reflecting, for example, on the experience of the GLC's attempt to create a new "majority of minorities" and on the clash of values and beliefs over "The Satanic Verses", these pieces explore both the opportunities and problems presented by the growing diversity of communities, cultures and identities in contemporary society. Topics covered include: consumerism and the impact of green politics; racism and psychoanalysis; ethics and values; AIDS and citizenship; and feminism and age

  • Sales Rank: #2579825 in Books
  • Published on: 2003-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .51" w x 5.51" l, .94 pounds
  • Binding: Paperback
  • 239 pages

About the Author
Jonathan Rutherford is professor of cultural studies at Middlesex University-London. He is the editor of "Soundings" magazine and author or editor of many books, including "Identity: Community," "Culture, Difference "and "Male Order: Unwrapping Masculinity."

Jonathan Rutherford is professor of cultural studies at Middlesex University-London. He is the editor of "Soundings" magazine and author or editor of many books, including "Identity: Community," "Culture, Difference "and "Male Order: Unwrapping Masculinity."

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Saturday, 14 March 2015

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Steve Jobs, by Walter Isaacson

Based on more than forty interviews with Jobs conducted over two years—as well as interviews with more than a hundred family members, friends, adversaries, competitors, and colleagues—Walter Isaacson has written a riveting story of the roller-coaster life and searingly intense personality of a creative entrepreneur whose passion for perfection and ferocious drive revolutionized six industries: personal computers, animated movies, music, phones, tablet computing, and digital publishing.

At a time when America is seeking ways to sustain its innovative edge, and when societies around the world are trying to build digital-age economies, Jobs stands as the ultimate icon of inventiveness and applied imagination. He knew that the best way to create value in the twenty-first century was to connect creativity with technology. He built a company where leaps of the imagination were combined with remarkable feats of engineering.��

Although Jobs cooperated with this book, he asked for no control over what was written nor even the right to read it before it was published. He put nothing off-limits. He encouraged the people he knew to speak honestly. And Jobs speaks candidly, sometimes brutally so, about the people he worked with and competed against.�His friends, foes, and colleagues provide an unvarnished view of the passions, perfectionism, obsessions, artistry, devilry, and compulsion for control that shaped his approach to business and the innovative products that resulted.

Driven by demons, Jobs could drive those around him to fury and despair. But his personality and products were interrelated, just as Apple’s hardware and software tended to be, as if part of an integrated system. His tale is instructive and cautionary, filled with lessons about innovation, character, leadership, and values.

  • Sales Rank: #8422 in Books
  • Brand: PowerbookMedic
  • Published on: 2011-10-24
  • Released on: 2011-10-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.90" w x 6.12" l, 2.16 pounds
  • Binding: Hardcover
  • 656 pages
Features
  • Great product!

Amazon.com Review
Amazon Best Books of the�Month, November 2011: It is difficult to read the opening pages of Walter Isaacson’s Steve Jobs without feeling melancholic. Jobs retired at the end of August and died about six weeks later. Now, just weeks after his death, you can open the book that bears his name and read about his youth, his promise, and his relentless press to succeed. But the initial sadness in starting the book is soon replaced by something else, which is the intensity of the read--mirroring the intensity of Jobs’s focus and vision for his products. Few in history have transformed their time like Steve Jobs, and one could argue that he stands with the Fords, Edisons, and Gutenbergs of the world. This is a timely and complete portrait that pulls no punches and gives insight into a man whose contradictions were in many ways his greatest strength. --Chris Schluep


Amazon Exclusive: A Q&A with Walter Isaacson

Q: It's becoming well known that Jobs was able to create his Reality Distortion Field when it served him. Was it difficult for you to cut through the RDF and get beneath the narrative that he created? How did you do it?

Isaacson: Andy Hertzfeld, who worked with Steve on the original Macintosh team, said that even if you were aware of his Reality Distortion Field, you still got caught up in it. But that is why Steve was so successful: He willfully bent reality so that you became convinced you could do the impossible, so you did. I never felt he was intentionally misleading me, but I did try to check every story. I did more than a hundred interviews. And he urged me not just to hear his version, but to interview as many people as possible. It was one of his many odd contradictions: He could distort reality, yet he was also brutally honest most of the time. He impressed upon me the value of honesty, rather than trying to whitewash things.

Q: How were the interviews with Jobs conducted? Did you ask lots of questions, or did he just talk?

Isaacson: I asked very few questions. We would take long walks or drives, or sit in his garden, and I would raise a topic and let him expound on it. Even during the more formal sessions in his living room, I would just sit quietly and listen. He loved to tell stories, and he would get very emotional, especially when talking about people in his life whom he admired or disdained.

Q: He was a powerful man who could hold a grudge. Was it easy to get others to talk about Jobs willingly? Were they afraid to talk?

Isaacson: Everyone was eager to talk about Steve. They all had stories to tell, and they loved to tell them. Even those who told me about his rough manner put it in the context of how inspiring he could be.

Q: Jobs embraced the counterculture and Buddhism. Yet he was a billionaire businessman with his own jet. In what way did Jobs' contradictions contribute to his success?

Isaacson: Steve was filled with contradictions. He was a counterculture rebel who became a billionaire. He eschewed material objects yet made objects of desire. He talked, at times, about how he wrestled with these contradictions. His counterculture background combined with his love of electronics and business was key to the products he created. They combined artistry and technology.

Q: Jobs could be notoriously difficult. Did you wind up liking him in the end?

Isaacson: Yes, I liked him and was inspired by him. But I knew he could be unkind and rough. These things can go together. When my book first came out, some people skimmed it quickly and cherry-picked the examples of his being rude to people. But that was only half the story. Fortunately, as people read the whole book, they saw the theme of the narrative: He could be petulant and rough, but this was driven by his passion and pursuit of perfection. He liked people to stand up to him, and he said that brutal honesty was required to be part of his team. And the teams he built became extremely loyal and inspired.

Q: Do you believe he was a genius?

Isaacson: He was a genius at connecting art to technology, of making leaps based on intuition and imagination. He knew how to make emotional connections with those around him and with his customers.

Q: Did he have regrets?

Isaacson: He had some regrets, which he expressed in his interviews. For example, he said that he did not handle well the pregnancy of his first girlfriend. But he was deeply satisfied by the creativity he ingrained at Apple and the loyalty of both his close colleagues and his family.

Q: What do you think is his legacy?

Isaacson: His legacy is transforming seven industries: personal computers, animated movies, music, phones, tablet computing, digital publishing, and retail stores. His legacy is creating what became the most valuable company on earth, one that stood at the intersection of the humanities and technology, and is the company most likely still to be doing that a generation from now. His legacy, as he said in his "Think Different" ad, was reminding us that the people who are crazy enough to think they can change the world are the ones who do.

Photo credit: Patrice Gilbert Photography

About the Author
Walter Isaacson, the CEO of the Aspen Institute, has been chairman of CNN and the managing editor of Time magazine. He is the author of The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution; Steve Jobs; Einstein: His Life and Universe; Benjamin Franklin: An American Life; and Kissinger: A Biography, and the coauthor of The Wise Men: Six Friends and the World They Made. He lives in Washington, DC. Follow him on Twitter @WalterIsaacson.

Excerpt. � Reprinted by permission. All rights reserved.


Excerpt 1

His personality was reflected in the products he created. Just as the core of Apple’s philosophy, from the original Macintosh in 1984 to the iPad a generation later, was the end-to-end integration of hardware and software, so too was it the case with Steve Jobs: His passions, perfectionism, demons, desires, artistry, devilry, and obsession for control were integrally connected to his approach to business and the products that resulted.

The unified field theory that ties together Jobs’s personality and products begins with his most salient trait: his intensity. His silences could be as searing as his rants; he had taught himself to stare without blinking. Sometimes this intensity was charming, in a geeky way, such as when he was explaining the profundity of Bob Dylan’s music or why whatever product he was unveiling at that moment was the most amazing thing that Apple had ever made. At other times it could be terrifying, such as when he was fulminating about Google or Microsoft ripping off Apple.

This intensity encouraged a binary view of the world. Colleagues referred to the hero/shithead dichotomy. You were either one or the other, sometimes on the same day. The same was true of products, ideas, even food: Something was either “the best thing ever,” or it was shitty, brain-dead, inedible. As a result, any perceived flaw could set off a rant. The finish on a piece of metal, the curve of the head of a screw, the shade of blue on a box, the intuitiveness of a navigation screen—he would declare them to “completely suck” until that moment when he suddenly pronounced them “absolutely perfect.” He thought of himself as an artist, which he was, and he indulged in the temperament of one.

His quest for perfection led to his compulsion for Apple to have end-to-end control of every product that it made. He got hives, or worse, when contemplating great Apple software running on another company’s crappy hardware, and he likewise was allergic to the thought of unapproved apps or content polluting the perfection of an Apple device. This ability to integrate hardware and software and content into one unified system enabled him to impose simplicity. The astronomer Johannes Kepler declared that “nature loves simplicity and unity.” So did Steve Jobs.





Excerpt 2

For Jobs, belief in an integrated approach was a matter of righteousness. “We do these things not because we are control freaks,” he explained. “We do them because we want to make great products, because we care about the user, and because we like to take responsibility for the entire experience rather than turn out the crap that other people make.” He also believed he was doing people a service: “They’re busy doing whatever they do best, and they want us to do what we do best. Their lives are crowded; they have other things to do than think about how to integrate their computers and devices.”

This approach sometimes went against Apple’s short-term business interests. But in a world filled with junky devices, inscrutable error messages, and annoying interfaces, it led to astonishing products marked by beguiling user experiences. Using an Apple product could be as sublime as walking in one of the Zen gardens of Kyoto that Jobs loved, and neither experience was created by worshipping at the altar of openness or by letting a thousand flowers bloom. Sometimes it’s nice to be in the hands of a control freak.

Jobs’s intensity was also evident in his ability to focus. He would set priorities, aim his laser attention on them, and filter out distractions. If something engaged him—the user interface for the original Macintosh, the design of the iPod and iPhone, getting music companies into the iTunes Store—he was relentless. But if he did not want to deal with something—a legal annoyance, a business issue, his cancer diagnosis, a family tug—he would resolutely ignore it. That focus allowed him to say no. He got Apple back on track by cutting all except a few core products. He made devices simpler by eliminating buttons, software simpler by eliminating features, and interfaces simpler by eliminating options.

He attributed his ability to focus and his love of simplicity to his Zen training. It honed his appreciation for intuition, showed him how to filter out anything that was distracting or unnecessary, and nurtured in him an aesthetic based on minimalism.

Unfortunately his Zen training never quite produced in him a Zen-like calm or inner serenity, and that too is part of his legacy. He was often tightly coiled and impatient, traits he made no effort to hide. Most people have a regulator between their mind and mouth that modulates their brutish sentiments and spikiest impulses. Not Jobs. He made a point of being brutally honest. “My job is to say when something sucks rather than sugarcoat it,” he said. This made him charismatic and inspiring, yet also, to use the technical term, an asshole at times.

Andy Hertzfeld once told me, “The one question I’d truly love Steve to answer is, ‘Why are you sometimes so mean?’” Even his family members wondered whether he simply lacked the filter that restrains people from venting their wounding thoughts or willfully bypassed it. Jobs claimed it was the former. “This is who I am, and you can’t expect me to be someone I’m not,” he replied when I asked him the question. But I think he actually could have controlled himself, if he had wanted. When he hurt people, it was not because he was lacking in emotional awareness. Quite the contrary: He could size people up, understand their inner thoughts, and know how to relate to them, cajole them, or hurt them at will.

The nasty edge to his personality was not necessary. It hindered him more than it helped him. But it did, at times, serve a purpose. Polite and velvety leaders, who take care to avoid bruising others, are generally not as effective at forcing change. Dozens of the colleagues whom Jobs most abused ended their litany of horror stories by saying that he got them to do things they never dreamed possible.

Excerpt 3

The saga of Steve Jobs is the Silicon Valley creation myth writ large: launching a startup in his parents’ garage and building it into the world’s most valuable company. He didn’t invent many things outright, but he was a master at putting together ideas, art, and technology in ways that invented the future. He designed the Mac after appreciating the power of graphical interfaces in a way that Xerox was unable to do, and he created the iPod after grasping the joy of having a thousand songs in your pocket in a way that Sony, which had all the assets and heritage, never could accomplish. Some leaders push innovations by being good at the big picture. Others do so by mastering details. Jobs did both, relentlessly. As a result he launched a series of products over three decades that transformed whole industries.

Was he smart? No, not exceptionally. Instead, he was a genius. His imaginative leaps were instinctive, unexpected, and at times magical. He was, indeed, an example of what the mathematician Mark Kac called a magician genius, someone whose insights come out of the blue and require intuition more than mere mental processing power. Like a pathfinder, he could absorb information, sniff the winds, and sense what lay ahead.

Steve Jobs thus became the greatest business executive of our era, the one most certain to be remembered a century from now. History will place him in the pantheon right next to Edison and Ford. More than anyone else of his time, he made products that were completely innovative, combining the power of poetry and processors. With a ferocity that could make working with him as unsettling as it was inspiring, he also built the world’s most creative company. And he was able to infuse into its DNA the design sensibilities, perfectionism, and imagination that make it likely to be, even decades from now, the company that thrives best at the intersection of artistry and technology.

Excerpt 4

The difference that Jony has made, not only at Apple but in the world, is huge. He is a wickedly intelligent person in all ways. He understands business concepts, marketing concepts. He picks stuff up just like that, click. He understands what we do at our core better than anyone. If I had a spiritual partner at Apple, it’s Jony. Jony and I think up most of the products together and then pull others in and say, “Hey, what do you think about this?” He gets the big picture as well as the most infinitesimal details about each product. And he understands that Apple is a product company. He’s not just a designer. That’s why he works directly for me. He has more operational power than anyone else at Apple except me. There’s no one who can tell him what to do, or to butt out. That’s the way I set it up.

Excerpt 5

When Jobs gathered his top management for a pep talk just after he became iCEO in September 1997, sitting in the audience was a sensitive and passionate thirty-year-old Brit who was head of the company’s design team. Jonathan Ive, known to all as Jony, was planning to quit. He was sick of the company’s focus on profit maximization rather than product design. Jobs’s talk led him to reconsider. “I remember very clearly Steve announcing that our goal is not just to make money but to make great products,” Ive recalled. “The decisions you make based on that philosophy are fundamentally different from the ones we had been making at Apple.” Ive and Jobs would soon forge a bond that would lead to the greatest industrial design collaboration of their era.

Ive grew up in Chingford, a town on the northeast edge of London. His father was a silversmith who taught at the local college. “He’s a fantastic craftsman,” Ive recalled. “His Christmas gift to me would be one day of his time in his college workshop, during the Christmas break when no one else was there, helping me make whatever I dreamed up.” The only condition was that Jony had to draw by hand what they planned to make. “I always understood the beauty of things made by hand. I came to realize that what was really important was the care that was put into it. What I really despise is when I sense some carelessness in a product.”

Ive enrolled in Newcastle Polytechnic and spent his spare time and summers working at a design consultancy. One of his creations was a pen with a little ball on top that was fun to fiddle with. It helped give the owner a playful emotional connection to the pen. For his thesis he designed a microphone and earpiece—in purest white plastic—to communicate with hearing-impaired kids. His flat was filled with foam models he had made to help him perfect the design. He also designed an ATM machine and a curved phone, both of which won awards from the Royal Society of Arts. Unlike some designers, he didn’t just make beautiful sketches; he also focused on how the engineering and inner components would work. He had an epiphany in college when he was able to design on a Macintosh. “I discovered the Mac and felt I had a connection with the people who were making this product,” he recalled. “I suddenly understood what a company was, or was supposed to be.”

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3 of 3 people found the following review helpful.
Amazing story of a complex man
By a New Yorker
With the exception of one laptop and 2 non-smart cell phones, in my personal and professional life since 2004 I've had nothing but Apple products - computers (both desktop and laptop), iPads, iPods, and my crown jewel: my iPhone. None has ever disappointed me. I say this not to put forth a review of the Apple products but to explain that I am part of Steve Jobs's choir: I value, respect and rely on the products that he created. I'm sold, so to speak. And so it seemed only logical that I would eventually read this book to gain insight both in the genesis and evolution of Apple and in the person of Steve Jobs. The book did not disappoint in either.

What I found out about the early years and the development of the personal computer was fascinating. I do remember a lot of the news articles from those years - I was living in San Francisco at the time and a good friend of mine worked for Apple - but I would not consider myself previously knowledgeable about Apple in any comprehensive way. I learned so much of the nuts and bolts of Apple Computer, Inc., from this book. The chapters about the creation of the iPod, iPhone and iPad were very interesting to someone who has used these products for years and years and feels she has some proficiency using what they offer me.

But the insight I gained from the book on Steve Jobs the man left me very sad. While I consider him to have been a true genius with an almost other-worldly imagination, I can't imagine that I would have liked him very much or respected him outside of his professional arena. As the founder and developer of Apple Computer, he was spectacular. He had an intense imagination, vision, and belief in things that had yet to be discovered. He was fortunate enough to find those people who had the same precise work ethic that he did. To find those people and to hone the abilities of the ones who stayed, he had no reservations about crushing their substandard efforts or their feelings. The ones who lasted were the ones who believed in his vision and their Jobs-given opportunity to indulge and demonstrate their own creativity. The ones who lasted were the best and brightest the tech and artistic world had to offer. The ones who lasted were the ones who took his ideas and made them into our reality. I am profoundly grateful to them and to him for the advances they made in technology and artistry. And I guess the one cannot exist without the other. Without his exact personality would the tech world have been turned on its ear and eventually controlled by Apple? I don't know. Actually I doubt it.

In terms of his family, it seemed as if his attention to them was given only when it was not required or demanded elsewhere. His children were discussed very little; the same is true about Laurene Powell, his wife. But it is clear that in his wife he found the one person who was his equal in intelligence and commitment. Their marriage is portrayed as strong but him as absent.

The sections on his cancer and eventual death were moving but not enough to make me feel for him as a person. I am sorry he died but my sorrow has to do with the loss of him professionally and what he might have accomplished and achieved had he lived but not with the loss of him as a man. And yet I can recognize his genius and I'm glad I read the book.

1 of 1 people found the following review helpful.
A good read
By Jerry Richgels
A poignant story about a very complex character. I am an engineer in Silicon Valley and stories have circulated here about him for decades, mostly about what an A--hole he was. But reading this book brought out for me what a layered, complicated guy he was. It is amazing how he could be so feeling and unfeeling at the same time.
I was a hard drive designer and we were always trying to get into Apple. We were trying to qualify for their "Cube" system and we had issues in their testing. I'd go there to try and solve the problems. They had the drive mounted in this weird orientation I'd never seen before and there was no fan in the Cube. Hard drives were huge heat sources in the days before power management. It was well over our spec of 50C inside the Cube. I whined to the Apple quality engineers about the heat. The quick reply was "Well, your design is s--- then. You should be able to handle that." Who does that sound like? He definitely set the tone for the whole organization. They eventually got what they wanted - same as Steve.

2 of 2 people found the following review helpful.
A good starting point for those unfamiliar with Steve Jobs
By Aaron
Thoroughly enjoyed the biography that Walter Isaacson put together. I went into the book hardly knowing anything about Steve Jobs and left it with a general understanding of who he was as a person and as a CEO of Apple. It's hard to believe how fast the computer has advanced from an expensive luxury into being an affordable centerpiece around the family home. Unfortunately it is hard to really determine wether Steve Jobs thoroughly enjoyed life due to his abrasive and general irrational behaviors that ultimately caused the end of his own life. When finished the reader can't help but question the Steve Jobs persona and how damaging it was to others both emotionally and physically.

My only complaints with the book were that there were not enough pictures and that there was some repetitiveness. Also when Walter Isaacson describes Steve Jobs's appearance at Apple events, such as the Apple II reveal or the IPOD, when I searched for their recordings on youtube I found that there was some discrempancies.

I am planning to read Steve Wozniak's biography, whom I hold a better moral standard to than Steve Jobs, next in order to gain some more insight into those early Apple days. Also I really liked the paperback version of this Biography both in terms of feel on the hands and the overall aesthetic look to it.

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Wednesday, 4 March 2015

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  • Sales Rank: #6898661 in Books
  • Original language: French
  • Number of items: 1
  • Dimensions: .55" h x 9.41" w x 12.40" l,
  • Binding: Album

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[S239.Ebook] PDF Ebook Aerosmith: The Ultimate Illustrated History of the Boston Bad Boys, by Richard Bienstock

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Aerosmith: The Ultimate Illustrated History of the Boston Bad Boys, by Richard Bienstock

One of Guitar World magazine's Top 15 rock books of 2011.

Aerosmith is one of the greatest rock 'n' roll bands of all-time. After their 1970s success was derailed by band strife and Dionysian excess, Boston's Bad Boys received a career jump-start in 1986 via their collaboration with hip-hop legends Run-DMC and producer Rick Rubin. This first complete illustrated history of one of the world's most successful and popular bands features a band history by music journalist Richard Bienstock and sidebar album reviews from a host of well-known music journalists, including Greg Kot, Jaan Uhelszki, Chuck Eddy, Bill Holdship, Martin Popoff, Daniel Bukszpan, and more. Illustrated throughout with hundreds of stunning performance and backstage photographs, as well as rare memorabilia, including gig posters, backstage passes, 7-inch picture sleeves, ticket stubs, and more.

  • Sales Rank: #813115 in Books
  • Brand: Brand: Voyageur Press
  • Published on: 2011-09-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.13" h x 1.00" w x 9.50" l, 3.30 pounds
  • Binding: Hardcover
  • 224 pages
Features
  • Used Book in Good Condition

From the Back Cover

With 40-plus years of flat-out, four-on-the-floor blues-based rock to their credit, Aerosmith are one of the greatest—and most mercurial—rock 'n' roll bands of all-time. This massive, illustrated celebration is the first of its kind to provide a front-row seat to the Boston Bad Boys’ entire career: scrapping their way across country in the 1970s, scrapping their way back to the top of the heap in the late 1980s, and scrapping with each other the entire way. Music journalist Richard Bienstock’s lively history of the band’s rise, fall, and rebirth is illustrated with nearly 400 photographs and collectibles, including gig posters, backstage passes, ticket stubs, 7-inch picture sleeves, and vintage T-shirts. The book also includes an extensive discography and assessments of each of the band’s studio albums, written by such distinguished rock scribes as Daniel Bukszpan, Neil Daniels, Chuck Eddy, Bill Holdship, Greg Kot, Martin Popoff, Bud Scoppa, Phil Sutcliffe, and Jaan Uhelszki. The result is a visually stunning portrait of the band many have called America’s best.

About the Author

Richard Bienstock is an editor with Guitar World and Guitar Aficionado magazines and the author of Aerosmith: The Ultimate Illustrated History (Voyageur Press, 2011) and Slash: An Intimate Portrait (Insight Editions, 2012).

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22 of 22 people found the following review helpful.
incredible visual history of Boston's bad boys
By Julian A. Schulz
Don't let the somewhat generic looking cover fool you, this book is a visual
treat for hardcore Aerosmith fans.
The first half is loaded with some incredible photographs, from my favorite era,
the 70's.
You also get some really interesting text from each year, documenting
the albums & history of that time.
It is all laid out in a nice hardcover shell, with a clear slipcase.
The spine has a sort of "Get your wings" font, which looks really vintage & cool.
I had heard about this particular book coming out, but never expected it to be
so thorough & classy.
As a longtime fan of Aerosmith (a somewhat jaded one, at that), this book comes
highly recomended!
Check it out.

5 of 5 people found the following review helpful.
More Than Just Pictures!
By Steve 1967
If you first think this book is just a swooning fan piece with a lot of pretty pictures, think again!

This book gives a great account of the bands career, covering all eras, all albums, with a sometimes critical and unbiaised eye. I learned a lot and have been a fan of Aerosmith for years.

And the photos and illustrations are great! There's a ton of older and cool memorabilia listed as well. Defintiely worth your dollars!

3 of 3 people found the following review helpful.
Will this EVER change...?
By SOBDRUM
Meticulously compiled, but I stil have hope that in my lifetime a true, obsessed and devoted fan of the band will do a history of Aerosmith and get the facts right on the PHOTOS! There's many shots, particularly from the early years, that are all incorrect in terms of when they were taken. The Toys In The Attic, Rocks, Get Your Wings and first tour are all almost always confused. This book is no exception. Shots from the Rocks tour that say they are from the Toys tour, shots from the Get Your Wings tour that say they are from the first tour, on and on. It's very frustrating - for one who was there at the time watching and knows the difference - that there is such a lack of true fan focus going on in the archiving of when the photos are actually from.
Much of the text, as always, has multiple factual flaws, as it's all just re-printed articles, reviews, interviews, etc.
With all that said, it's still a must for fans of the band who want a visual history of them from the very beginning up to a few years ago. It would just be nice - just ONCE - if they got the dates right...

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Tuesday, 3 March 2015

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Noticeable wear to cover and pages. May have some markings on the inside. Fast shipping. Will be shipped from US. Used books may not include companion materials.

  • Published on: 2006-04-11
  • Number of items: 2
  • Binding: Paperback

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Monday, 2 March 2015

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  • Binding: Paperback

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